The monograph Andrzej Wróblewski. Exhibiting, devoted to the history of exhibiting and contemporary curatorial strategies that have shaped the reception of the artist’s work.

The 780 pages include essays by Noit Banai, Marek Bieńczyk, Fr. Adam Boniecki, Maja and Reuben Fowkes, Soren Gauger, Eckhart Gillen, Zofia Gołubiew, Owen Hatherley, Tom Holert, Dorota Jarecka, Joanna Kiliszek, Aleksander Kościow, Eryk Krasucki, Anna Król, Mira Marcinow, Zbigniew Mikołejko, Ania Muszynska, Ruth Noack, Robert Pilat, Martin Pollack, Maria Poprzęcka, Dieter Roelstraete, Marek Sobczyk, Olga Stanislawska, Steven ten Thije, Martin Waldmeier, who all chose a single work on paper for their reflections. Prof. Marzenna Ciechańska writes about the many found large-format works painted by Wróblewski on wrapping paper and subjected to painstaking conservation. In addition, the editors of the volume – Dr Magdalena Ziółkowska and Wojciech Grzybała – analyse the contexts and circumstances of the artist’s posthumous exhibitions, including his own ideas and curatorial concepts.

In addition, the monograph contains an extensive selection of reviews by Wróblewski and his theoretical texts on exhibitions, previously unpublished archival material, and a summary of the Foundation’s 12 years of activity.

The publication was produced in collaboration with the Hatje Cantz publishing house and with the support of the Adam Mickiewicz Institute.

The team: graphic design (Łukasz Paluch), research (Kacper Czernij, Katarzyna Trzeciak), translation (Joanna Figiel, Soren Gauger, Krzysztof Kościuczuk, Aaron Shoichet, Joanna Trzeciak-Huss), proofreading (Jane Warrilow, Ewa Twardowska), photo editing (Tomasz Kubaczyk) and Katarzyna Mierzyńska, Paweł Szroniak, Dorota Sztyler.